Even its physical presentation screams "Not ready for prime time."Starting on the museum's second floor, we are introduced to the show via an overly large room in which Connie Arismendi's work has been plopped.
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Even its physical presentation screams "Not ready for prime time."Starting on the museum's second floor, we are introduced to the show via an overly large room in which Connie Arismendi's work has been plopped.
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